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Matt White

Composer - Trumpeter - Educator

About

Trumpeter, Composer, Educator, and technologist Dr. Matthew White is Professor, Director of Jazz Studies, and Director of CSAM at the University of South Carolina School of Music. He holds degrees from the University of North Florida and The University of Miami and has appeared on numerous albums, radio broadcasts, and television shows, performing and composing music for artists as varied as: Rihanna, Becca Stevens, Michael Dease, Victor Wooten, Steve Bailey, Oscar DeLeon, Duranice Pace, Charlie Peacock, the Czech Republic Arts Ministry, and Jeff Coffin, in addition to various other artists, ensembles, symphonies, and big bands.

 

"Matt White uses his source material – age old hymns and blues – not as bricks to build a mortuary, but as the basis for an entirely new structure"

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Downbeat Magazine

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“With reverence and unhushed abandon, Lowcountry extends legacies that, however threatened or overlooked, are still very much alive"

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The Wall Street Journal

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A 2019 Guggenheim Fellow in Music Composition and the 2023 - 2027 SCArts Music Composition fellow, Matt’s recent works have been heavily influenced by southern folk music traditions, particularly those of the Gullah Geechee people of the Coastal Carolinas. In addition to contemporizing folk songs and oral histories, Matt does extensive work recording and archiving the songs and stories of Gullah elders in the region. He has engineered recordings for the “Free and Equal Project” in partnership with the NEA, and artists Ron Daise, and Dave Douglas. Additionally active as a researcher, Matt recently negotiated a partnership between SCETV and USC to be the home of the Marian McPartland’s Piano Jazz Archive, which includes 80 seasons of audio programs and over 5000 documents. This project was supported by a $10,000 archival grant awarded by the Grammy Museum in 2025.

 

Matt was a keynote speaker at the 2017 National Association of Leadership Educators Conference, and a finals judge at the 2019 International Trumpet Guild Jazz Competition.

 

Matt is the director of USC’s Left Bank Big Band. The ensemble has performed at the Savannah, Umbria (Italy), and Vienne (France) Jazz Festivals, and backed Michael Dease, Mimi Jones, Nicole Zuraitis, Mimi Jones, and Rodney Whitaker. In 2026, Left Bank was one of ten ensembles in the United States invited to perform at the Jazz at Lincoln Center Collegiate Jazz Championships.

 

Matt is a Bach Trumpet and Patrick Mouthpiece performing artist. His recent album, Lowcountry was staged at Spoleto 2024 by a 23-person ensemble, including Gullah Elders, a string octet, and guest soloist Chris Potter. “Songs of Protest,” a collaboration with the Reconstruction Era National Park and the Penn Center, was featured at Penn’s 2024 Heritage Days. His newest album Dolly, a reimagining the early music of Dolly Parton, will be released in 2026.

Matt White's Dolly

Releasing May 15, 2026 on Adhyâropa Records

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A musical reimagining of our greatest living American's (Ms. Dolly Parton) songs and stories. Supported by a South Carolina Arts Commission Project Grant.

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Matt White - cornet and arrangements

Liz Kelley - vocals and vocal effects

Tim Fischer - guitars

Demetrius Doctor - organ

Colleen Clark - drums 

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Mixed by Cynthea Kelley

Mastered by Parachute Mastering

Lowcountry, featuring Chris Potter

  • Apple Music
  • Bandcamp
  • Spotify

Praise for Lowcountry (Ropeadope)

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"With reverence and unhushed abandon, Lowcountry extends legacies that, however threatened or overlooked, are still very much alive"

Larry Blumenfeld, WSJ

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"On so many levels, this well-conceived exposition is a window into one of this country's lesser known, enduring cultures."

Jim Hynes, Glide Magazine

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“Scintillating music that doubles as an act of cultural anthropology and reclamation”

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Philip Booth, Jazziz Magazine

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"Ambitious and Transcendent"

Paris moves Magazine

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(Click album cover to read press release)

USC Jazz
21st century jazz education

Matt is chair of jazz studies at the University of South Carolina where he directs the Left Bank Big Band, directs the graduate program, and teaches trumpet, improvisation, composition, and music technology.

USC Jazz Studies is committed to giving students the best tools and experiences available to be diverse, resilient musicians capable of achieving their goals, with an emphasis on engaging their communities as leaders and arts advocates. In South Carolina that includes spreading the message of music by engaging communities, emphasizing continued teacher training, and providing resources for anyone interested in learning more about America's greatest cultural export. Learn more about USC Jazz here.

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